1. 12:00 30th Jan 2012

    Notes: 4432

    Reblogged from architext


     
  2. Troglodyte by Jimmy Castor, RIP

     
  3. image: Download

    cajunboy:

I’m hoping a pregame burger from Camellia will calm my nerves. #whodat

If you order pecan pie at Magnolia ask them to throw it on the grill.  It’s amazing.

    cajunboy:

    I’m hoping a pregame burger from Camellia will calm my nerves. #whodat

    If you order pecan pie at Magnolia ask them to throw it on the grill. It’s amazing.

     
  4. 12:00 14th Jan 2012

    Notes: 1094

    Reblogged from architizer

    Tags: architecturetaipeitaiwan

     
  5. Plays: 0

    [Flash 9 is required to listen to audio.]

    Foreign Language (Will Saul & Tam Cooper Remix) by Flight Facilities feat. Jess.

    A little Deep House to start off the weekend.

     
  6. defendneworleans:

    With just 10 days to go before the new year, Hollywood South is closing out 2011 on a high note, topping P3 Update Magazine’s annual ranking of the best states in which to shoot a movie.

    The magazine — a Hollywood-based monthly trade publication — compiles its rankings based on “the most…

    (Source: nola.com)

     
  7. 12:00 19th Dec 2011

    Notes: 8348

    Reblogged from fuckyeahstreetlights

     
  8. 12:00 15th Dec 2011

    Notes: 69

    Reblogged from textless

    Tags: leafphotography

    image: Download

    (Source: textless)

     
  9. The article which inspired the film Saturday Night Fever.  Though at the start of the article the author states it was entirely factual, he would later admit years later that it had been fabricated.  

     
  10. image: Download

    thetenssf:

Sightseeing, Tenderloin, USA

I’m into this composition.  It’s the “seesaw”, or two subjects at either extreme of the frame balanced across a central axis or pivot, in this case simply the void at the center.  In fact, their is an inherent tension across said axis because of the relative “weight” of each subject, where the perceptually lighter subject on the left (the woman) sits on a line slightly above the group on the right.
This photograph also contains, in the plane of the image as well as diagonal to it, other axes, specifically relating the woman taking a photograph and the hydrant.  All of this within a fairly shallow, well-defined depth-of-field.

    thetenssf:

    Sightseeing, Tenderloin, USA

    I’m into this composition.  It’s the “seesaw”, or two subjects at either extreme of the frame balanced across a central axis or pivot, in this case simply the void at the center.  In fact, their is an inherent tension across said axis because of the relative “weight” of each subject, where the perceptually lighter subject on the left (the woman) sits on a line slightly above the group on the right.

    This photograph also contains, in the plane of the image as well as diagonal to it, other axes, specifically relating the woman taking a photograph and the hydrant.  All of this within a fairly shallow, well-defined depth-of-field.